MARC Record from harvard_bibliographic_metadata

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040 $aDLC$cDLC$dC#P$dUKM
050 00 $aPN1995.9.A8$bA93 2003
082 00 $a302.23/43$221
245 04 $aThe audience studies reader /$cedited by Will Brooker and Deborah Jermyn.
260 $aLondon ;$aNew York :$bRoutledge,$c2003.
300 $axviii, 347 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [335]-344) and index.
505 00 $gIntroduction:$t'It's out there ... somewhere' : locating the audience for the The audience studies reader --$gPart 1: Paradigm shift : from 'effects' to 'uses and gratifications'.$tThe people's choice : how the voter makes up his mind in a presidential campaign /$rPaul F. Lazarsfeld, Bernard Berelson, Hazel Gaudet ;$tMass persuasion : the social psychology of a war bond drive /$rRobert K. Merton ;$tAnalysis of the film Don't Be a Sucker : a study in communication /$rEunice Cooper, Helen Dinerman ;$tTendency systems and the effects of a movie dealing with a social problem /$rCharles Winick --$gPart 2: Moral panic and censorship : the vulnerable audiences.$tCulture industry reconsidered /$rT.W. Adorno ;$tSeduction of the innocent /$rFredric Wertham ;$tThe uses of literacy /$rRichard Hoggart;$tThe Newson Report : a case study in 'common sense' /$rMartin Barker.
505 80 $gPart 3: Reading as resistance : the active audience.$tThe nationwide audience /$rDavid Morley ;$tThe practice of everyday life /$rMichel de Certeau ;$tUnderstanding popular culture /$rJohn Fiske ;$t'We're here, we're queer and we're not going catalogue shopping' /$rGregory Woods --$gPart 4: The spectator and the audience : shifts in screen theory.$tVisual pleasue and narrtive cinema /$rLaura Mulvey ;$tBabel and Bablylon : spectatorship in American silent film /$rMiriam Hansen ;$tStar gazing : Hollywood cinema and female spectatorship /$rJackie Stacey ;$tWomen viewing violence /$rPhilip Schlesinger, Rebecca Dobash, Russell Dobash, C. Kay Weaver.
505 80 $gPart 5: The fan audience : cult texts and community.$t'Out of the closet and into the universe' : queers and Star Trek /$rHenry Jenkins ;$tBeatlemania : girls just want to have fun /$rBarbara Ehrenreich, Elizabeth Hess, Gloria Jacobs ;$tHistories, fictions and Xena : Warrior Princess /$rSara Gwenllian-Jones ;$tSuffering and solace : the genre of pain /$rCamille Bacon-Smith ;$tInside subculture : the postmodern meaning of style /$rDavid Muggleton --$gPart 6: Female audiences : gender and reading.$tReading the romance : women, patriarchy and popular literature /$rJanice Radway ;$tLiving room wars : rethinking audiences for a postmodern world /$rIen Ang ;$tFeminism and youth culture /$rAngela McRobbie ;$tGirl talk : adolescent magazines and their readers /$rDawn H. Currie ;$t'"Just a book", she said ... ' : reconfiguring ethnography for the female readers of sexual fiction /$rEsther Sonnet --$gPart 7: Interpretive communities : nation and ethnicity.$tEnlightened racism : The Cosby Show, audiences and the myth of the American dream /$rSut Jhally, Justin Lewis ;$tThe export of meaning : cross-cultural readings of Dallas /$rTamar Liebes and Elihu Katz ;$tThe color purple : Black women as cultural readers /$rJacqueline Bobo ;$tTelevision, ethnicity and cultural change /$rMarie Gillespie --$gConclusion:$tOverflow and audience.
520 1 $a"The Audience Studies Reader brings together key writings exploring questions of reception and interpretation, reprinting forgotten pieces and combining key essays with new research. Beginning with a general introduction to the Reader, each extract is placed in its historical context with specially written section prefaces and suggestions for further reading." "Organized chronologically and thematically, sections address: the paradigm shift - from effects to uses and gratifications; moral panic and censorship; the active audience and reading as resistance; shifts in screen theory - the spectator and the audience; the fan and the audience; gendering the audience; internet audiences, convergence and increased levels of interactivity; and nation and ethnicity. The conclusion discusses the effects of Internet overflow and the increased level of interactivity it seems to offer."--Jacket.
650 0 $aMotion picture audiences.
650 0 $aMotion picture audiences$xPsychology.
650 0 $aTelevision viewers.
650 0 $aTelevision viewers$xPsychology.
650 0 $aReading.
700 1 $aBrooker, Will,$d1970-
700 1 $aJermyn, Deborah,$d1970-
988 $a20030513
906 $0DLC